the nicest part is just before you taste it, your mouth goes all tingly, but that can’t go on for ever…


nothing can stop us now…


inspiration – my yia-yia : alicia renard

Yesterday my granny passed away. The same week i turned 30. She had been ill for 4 years, afflicted with a vascular dementia which had robbed us of the Alicia we knew and left in her place a wizened, frail and delightfully sweet old lady but not someone we identified with, and neither, it would appear, did she us.

I am particularly sad, because she was unable to realise herself fully during her lifetime. I guess, in part, I also identify with her, my mother has always said I share many of the same character traits. In essence, my grandmother was a dreamer, a fantasist for the most part. A lady who upped sticks and left Argentina on a whim on divorcing my grandfather with a small son in tow, leaving the rest of the family in Buenos Aires for the Greek island of Rhodes, undeniably a paradisiacal place, but not the obvious choice of destination. A lady who, as rashly as she had arrived left this idyll a month short of 10 years of residency and thus eligibility for citizenship.

On returning from Greece, she choose to settle in a small town on the coast of Argentina in the only house she owned, that which had been the family retreat most summer holidays…except that Villa Gesell shuts down during the winter months, becoming a virtual ghost town. She took the most sublimely beautiful photographs and we often encouraged her to get them made into postcards and exploit her talents, yet the fact that she didn’t own a car and her irrational fear of dogs restricted her movements around the town and encroached on her personal freedom, a sorry predicament for someone who had always been such an avid walker.

Yet she sought refuge and solace in her books and was a voracious reader in all the languages she spoke, being Franco-Argentine and with a predisposition to autodictactism she also had an impressive command of English, in her late sixties she decided to teach herself Hindi so as to be able to communicate in her Indian penpal’s native tongue. She was unbelievably well read and cultured, her literary love affair with Proust endured a lifetime.

She was also the most gifted piano player, the way in which her fingers softly caressed those 88 black and white keys and the sound she produced enveloped and entranced anyone within earshot.

Her relationship with my grandfather was not a particularly happy one, both recriminating the other for lovers they took, either blatantly or covertly. My grandmother was Catholic when it suited her, she had a long term love affair with a priest from the faith, whose name even in her senility would register a flicker of recognition in her eyes.

It would ultimately be her undoing, for she decided to sell the house about 8 years ago and follow him to Israel in a vain bid to attempt to rekindle their love. Her flights of fancy also precluded her from possessing any pragmatism when it came to money. She spent a large chunk of the proceeds from the sale of her house transporting her treasured Bluthner piano to France for her son to look after, but it didn’t take kindly to the journey, the changes in ambient temperature and humidity wreaked havoc on the wood which shrank, expanded and warped in disgust accordingly; what once had been a highly valuable instrument now deemed practically worthless.

Quite clearly she lived a life spent running away from or vainly searching for her identity. In spite of her unfulfilled dreams, it was largely her indomitable spirit which made made her such a unique and interesting individual, yet I would have have been curious to see what more she might have accomplished, had there been an element of common sense and constancy in the equation.

The irony of the piece is that she was a complex, difficult and quite embittered individual in her lucid state and yet it took mental illness for her to shed her anger along with the little weight she had put on in her senior years.

She fascinated me, for bucking trends and living such an unorthodox existence. She was prodigious and at the same time her own worst enemy. This galvanises me and inspires me to keep focused and continue to embrace the kind of fears she battled with regarding her own self worth and talent.

Alicia Renard: born 15 December 1929, died 10 July 2010


set adrift on memory bliss


mixtape : july : # 1

Build an Ark – In Her Smile (Daedelus Remix)

The Acorn – Restoration (Four Tet remix)

Kurt Vile – Blackberry Song

The Books – A Cold Freezin’ Night

Family Portrait – Mega Secrets

Many Mansions – Oneness

Genesis vs The Knife – Dj Bigg H (130) – Silent Home By The Sea

Department of Eagles – 1997 (Doctor Rosen Rosen REMIX)

Teebs – Golden Brown

Truman Peyote – New Wife, New Life

Lemonade – Lifted

Palaxy Tracks – The Sediment

Horses – My Tired Heart (Demo)

Wildbirds & Peacedrums – Fight For Me

Hope Sandoval & The Warm Intentions – For The Rest Of Your Life

image: courtesy of peter ibruegger – get yourself tashed up at: www.peteribruegger.com


divine idylle # 3 : gena rowlands

Although a successful actress in her own right, it was as John Cassavetes muse, wife and leading lady that Gena Rowlands is largely recognised. Together with her husband, they revolutionalised the direction of independent American cinema. Yet both were forced to midnight flypost many of their films to drum up interest, such was the degree to which they were sidelined and eschewed by the mainstream film industry.

Rowlands had no qualms about tackling difficult roles. In ‘A Woman Under the influence’ one of her greatest triumphs, (for which she was nominated an academy award) she plays Mabel Longhetti, a housewife whose increasingly erratic and psychotic behaviour leads her husband with no choice but to commit her to a psychiatric institute. The film makes for uncomfortable viewing, for Rowlands’ performance is both convincing and deeply emotive. The film had a non existent budget after being rejected by all major studios approached, in effect Cassavetes was forced to remortgaged his house and Peter Falk gave $500,000 of his own money to the project. Rowlands was responsible for her own hair and make-up.

In ‘Opening Night’, her character is no less challenging. She plays a stage actress, crippled with self doubt and unable to admit she has issues with aging, in addition to a drink problem which renders her incapable of acting. Her performance has a similarly compelling and devastating effect on the viewer.

Gena continued to act despite her husband’s untimely death at 59 and later roles proved equally as diverse and engaging, notably in ‘Playing by Heart’ and ‘The Notebook’, the latter of which was directed by her son Nick.

Even now, aged 80, she retains an ethereal quality and beauty which are testament to the life she has led, both fiercely uncompromising and true to her beliefs. In a recent interview given in April of this year, she was quoted as saying “It’s why so many of these indie filmmakers, even now, ask me to do their movies. They know I’m indie. Always have been.”

images: google images


people in glass houses shouldn’t throw stones


inspiration – those little things

“To live content with small means; to seek elegance rather than luxury, and refinement rather than fashion; to be worthy, not respectable, and wealthy, not rich; to listen to stars and birds, babes and sages, with open heart; to study hard; to think quietly, act frankly, talk gently, await occasions, hurry never; in a word, to let the spiritual, unbidden and unconscious, grow up through the common – this is my symphony.” – William Henry Channing (1810-1884)

Those little things. The acts of kindness that perhaps only register as significant on our own personal radars. As I get older, it’s those intimate gestures, the thoughtful birthday cards (as opposed to the presents), the handwritten notes and letters through the post that gratify far more than the impersonal medium of email. In the same way, an expensive meal out can be surpassed simply by being made breakfast in bed by someone you really dig; as if you’d made it yourself with all the right components and the tea at optimum drinking temperature.

Simple pleasures.

images: personal, weheartit


soul about the dancing


A Lady Who Thinks She Is Thirty

On the eve of my 30th, I’m turning to the wise words of Mr. Nash.

Unwillingly Miranda wakes,
Feels the sun with terror,
One unwilling step she takes,
Shuddering to the mirror.

Miranda in Miranda’s sight
Is old and gray and dirty;
Twenty-nine she was last night;
This morning she is thirty.

Shining like the morning star,
Like the twilight shining,
Haunted by a calendar,
Miranda is a-pining.

Silly girl, silver girl,
Draw the mirror toward you;
Time who makes the years to whirl
Adorned as he adored you.

Time is timelessness for you;
Calendars for the human;
What’s a year, or thirty, to
Loveliness made woman?

Oh, Night will not see thirty again,
Yet soft her wing, Miranda;
Pick up your glass and tell me, then–
How old is Spring, Miranda?

Ogden Nash